• Salt River Fields at Talking Stick Logo Development 



    Opening for the Major League Baseball 2011 Spring Training Season, Salt River Fields at Talking Stick will be the most immersive and forward thinking baseball fan experience in the world. It will be the home of the Arizona Diamondbacks and Colorado Rockies, but also be an economic platform for the Salt River Pima – Maricopa Indian Community (SRP-MIC).


    From the press release:

    “We wanted to reinvent the fan experience of spring training by designing a distinctive destination that focuses on fan connectivity to the players while creating a unique environment that embodies the character, values and culture of the Salt River Pima-Maricopa Indian Community, the Colorado Rockies and the Arizona Diamondbacks,” said Byron Chambers, director of sports design, HKS Sports & Entertainment Group.

    Opening in February, 2011, Salt River Fields is located on a 140-acre site near the Pima-Loop 101 Freeway and Indian Bend Road. Salt River Fields is the first Major League Baseball Spring Training facility built on Native American land. Owned by the Salt River Pima-Maricopa Indian Community (SRPMIC), the complex consists of separate training facilities and clubhouses accommodating each team as well as an 11,000-seat central stadium which features a uniquely designed roof structure that offers fans in the cross aisle plenty of shade.

    “Our Pima ancestors, the Huhugam, used posts hewn from mesquite trees, with willow and arrowweed branches to build large ramadas that created shade from the hot desert sun,” said SRPMIC President Diane Enos. “These shade structures were important centers for daily life, like cooking, weaving or visiting. Today, we are taking this ramada to new heights at Salt River Fields with the soaring roof structure that will shade our new stadium.”


    I have had the opportunity to be lead designer and creative director on the identity, signage, environmental graphics, interpretive graphics, concession branding, and more. It has been a very challenging project. We had to balance the brands of two very distinct teams, The Diamondbacks and the Rockies, and, just as important, tell the story of the SRP-MIC in an engaging way.



    As you can see from the diagram above we wanted to establish a “look” throughout the facility with ALL of the graphics. You might regard this as creating a “brand” – that is incorrect – we are creating a ‘visual identity’ that ultimately will be connected to an experience that will create a brand. We wanted this ‘visual identity’ to move through all applications of graphics; advertising, signage, tickets, letterhead and more.


    Prior to our involvement the community created an aspiration line for the facility – “Two Tribes, Two Teams, One Home.” The idea behind “Two Tribes, Two Teams, One Home” really hit it on the head for us. We knew we had to find a way to create an icon for this facility that took the identity to another level that has not been seen in Spring Training Facilities. (Spring Training Facilities are fast becoming an economic engine and baseball destination especially in the Phoenix area – where there are will be 10 separate venues next year.)


    Above are all three logos of those involved in the facility. The Rockies have not had a logo change since they became part of the league in 1993. The Diamondbacks re-branded themselves in 2007. The third icon was developed by local Pima artist and calendar stick carver Royce Manuel and speaks about the mountains and the rattlesnake in SRP-MIC history. The Calendar Stick symbols are very important to the Community. These symbols help tell the history and stories of the tribe and families. The symbol created by Mr. Manuel symbolized Salt River Fields in the community timeline.


    The challenges in creating the icon were:

  • -Creating an icon that represented the community.
  • -Creating an icon that represented the Colorado Rockies
  • -Creating an icon that represented the Arizona Diamondbacks
  • -Creating an icon that could stand on its own to represent the project

  • We toiled over the icon for several months. Going back and forth about what would be best for the facility. Then on a late Friday night around 2:30AM the idea popped into my mind after viewing a set of sketches I made earlier in the night. And I began dissecting each individual element.




    The solution, though simple, has many layers. It speaks about heritage. It speaks of team. It speaks of partnership. It symbolizes the essence of the project quickly. It delivers the solution to our four main challenges above.




    The final rendering above utilizes the prominent colors of the teams and one selected by the SRP-MIC.


    Obviously a lot more conversations with the ownership went on before and after the initial grand idea. I can tell you we had 4 prior meetings about the logo with other concepts that were shot down. But, when we rally around the project, explain the design process, and LISTEN to the client, the end product is always better. This project is a testament to that.


    In the near future I hope to showcase all of the hard work going into the fan and branded experiences we have developed.


    ____________________________


    For more information about the project please visit: http://www.saltriverfields.com

    For information about SRP-MIC please visit: http://www.srpmic-nsn.gov/

    For information about The Arizona Diamondbacks: http://arizona.diamondbacks.mlb.com/

    For information about the Colorado Rockies: http://colorado.rockies.mlb.com/

    For information about HKS Inc. : http://hksinc.com/

 
  • Our Wedding Invitations 

    I was married to an amazing woman in March of this year. I designed the wedding invitations to show our modern and classic sides. I really wanted to create an invitation that people might want to leave around or pin up. On the back of the formal invite is a graphic I created using some of the Bickham Script flourishes.


    We also tried to remove any trends and make this timeless, meaning it had a flavor of the past but it would be contemporary even ten years from now.


    Main typeface is Verlag by H&FJ. Great when widely kerned to give a mid-century modern feel.


    These are printed on 120lbs cover weight Eames Bright White. 1 Color.































     
  • Sometimes I Create Music 



    Go here to download my new EP.


    http://thedesertdessert.com


    Thanks and enjoy.

     
  • New Work Preview: America (What It Was) 



    I have been working on these for awhile. Its an extension of the same work I have been doing for the past 2 years. I hope to have a few completed in the next couple weeks but wanted to share this with you now. Have a great weekend.

     
  • 12 Hills Nature Center 

    The 12 Hills Nature Center in the Oak Cliff suburb of Dallas, TX is an example of what determination can accomplish. Over ten years has past since the first e-mail mentioning the possibility of a independent group of individuals that would use grants and personal donated funds to build an urban nature preserve. The nature center will act as a outdoor classroom and community hub.

    My role was to design signage and graphics for the entry and donor recognition. Working closely with the landscape architect Carolyn Perna of TBG (located in Dallas), we fully integrated the graphics into the landscape. This type of integration is unheard of of on this scale. Sandblasted text, donor names, and a 36″ cast bronze recognition plaque that uses names to mimic tree rings were all placed into the space.

    All work was Pro Bono.

    Landscape Architecture: Carolyn Perna, TBG


    Plenty of More Photos After the Jump

    (Click For More …)

     
  • For The Public 



    FOR THE PUBLIC 1 of 1

     
  • Boom! 



    Boom 1 of 1

     
  • SyVox ReBranding/Identity/Marketing/Packaging 

    I had the opportunity to help design a new identity and rebrand SyVox Voice Recognition solutions for Genesta, a small software company located in Rockwall, TX. The program is used in warehouse settings to help streamline inventory and shipping procedures. It also helps increase productivity and accuracy awhile improving job safety. Genesta is an extremely talented group of individuals that you should keep your eyes on here in the future.

    The SyVox identity was updated to showcase the programs many features and ability to work with a clients existing systems. I was charged with creating the graphic identity and visual language that would support the brand moving forward.

    Above are the both the old logo and program icon. It is my belief that you should lean on existing brand equity with any rebranding project if its possible and appropriate. I dumped the “Futura Squish” typeface for Scala Sans, which when used correctly has a very “techie” look and comes across as efficient – an attribute that SyVox allows its users to have.

    The program’s icon is well known in the industry so I cleaned up the execution. I then combined it with the logo type so that the icon would be connected to the name on a larger level than before.

    Why Green? Genesta's logo type is blue and so was SyVox. SyVox was only 'step one' of a multi-phase program which will encompass all of Genesta's solutions and services. The identity you see here is part of a "Branded House" approach to the Genesta solutions and services. Each one is designated a color that will correspond to a larger identity program that will be released in the future.


    Marketing, Packaging, Photos and More After the Jump!

    (Click For More …)

     
    • Rebecca Wissler 12:53 pm on 01/11/2010 Permalink

      I’ve been meaning to comment about how much I like this re-branding as a whole. Overall, I think the SyVox Sound Burst is such a smart way to visualize the way the technology works…if that even makes any sense. Either way, it’s perfect. Really nice.

  • Texas Scottish Rite 

    tsrhc_wall


    Earlier this year we at focusEGD had the opportunity to work with Texas Scottish Rite Hospital for Children renovation and the creation of the T. Boone Pickens Conference Center. We implemented the graphics in a thoughtful and appropriate way. Here is an example of that subtle approach which has massive impact as you enter the building.Using an interesting, time intensive technique we were able to create large scale crayon marks that travel up the walls. Instantly we recall the day we were caught trying to color the wall and break out lines.

     
  • Old Mac KeyBoard Push-Pins 


    I have had these old mac keyboard “Help” keys for awhile. I was sitting at my desk and noticed them. I decided to make them into push pins. Took about 2 minutes. Decided to share. I have one of the old keyboards sitting in a box at home… maybe I will do all of my pushpins this way? People could rearrange them to say words or to distinguish they need “help” which I most likely will do…


    pushpinkeys_1


    pushpinkeys_2

     
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